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What Will We Be

EMAILPRINTby Devendra Banhart

Devendra Banhart reviews
68
7.1 User Score:

Generally favorable reviews

Based on 24 critic reviews
How did we calculate this?

Based on 7 votes
Read user comments
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Album Info

Label: Warner Bros./Reprise

Release Date: 27 October 2009

Discs: 1 disc

Genre(s): Folk

Summary

The first album on his new label for the folk singer was co-produced with Paul Butler.

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

91

The Onion (A.V. Club)

On this, his major-label bow, the (now beardless!) prince of freak-folk has harnessed his many left-field tics and energies to craft his most elegantly driven work yet.

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88

Los Angeles Times

He filches from a variety of genres--Brazilian Tropicalia, glam rock, lounge jazz, Zeppelin-like psychedelia--but it never sounds awkward. He loosens the stitches on each to fashion his own unique costume.

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83

Entertainment Weekly

Maybe he's listening a little too closely to his spirit animal, but either way, the guy sure sounds inspired. [30 Oct 2009, p.58]

80

All Music Guide

Banhart's persona emerges intact despite the mainstream sound, however, and What Will We Be becomes a pleasantly fresh album to follow the ponderous, sprawling "Smokey Rolls Down Thunder Canyon."

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80

NOW Magazine

Some will be sad to find that his pulsating vocals and wacky storytelling have subsided, and that his vague lyrics have grown simpler. But anyone who’s avoided Banhart’s hippy-busker tunes now have a reason to give him a chance.

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80

Q Magazine

Mark this down as the point which we can say with certainty for the first time Devendra Banhart is here for the long run. [Nov 2009, p.113]

75

The Phoenix

Even when Banhart seems more in a predicament than in the zone, he’s hopelessly inventive. Several songs experience complete transformations over their modest three-minute spans, succeeding like little daybreaks.

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75

Billboard.com

This time the quintet holed up for two months in a Northern California cabin, and the resulting collection from the idiosyncratic singer/songwriter is intimate, experimental, and ultimately accessible.

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75

Prefix Magazine

Banhart clearly gets bogged down in that freedom, as the amount of sheer hokiness on some of his albums can attest to. But with What Will We Be, Banhart gets back to earning that right for total creative freedom.

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70

Rolling Stone

The sixth studio album by Devendra Banhart is the best he's ever made. What Will We Be is also great enough in patchouli-scented spurts to suggest that the 28-year-old singer-songwriter's defining classic is one more record and a little more focus away.

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70

New Musical Express

Butler’s done well to harness the fuller ideas first explored on "Smokey" but, in doing so, has sacrified raw Devendra for something just a bit too, well, Bees-y.

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70

Spin

A big improvement over 2007's ho-hum "Smokey Rolls Down Thunder Canyon," it's also the most consistently satisfying full-length he's made.

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68

Paste Magazine

What once made Banhart such a strange bird--roaming from jazz to folk to indie pop, often within a single song, as on the impossibly catchy 'Chin Chin & Muck Muck'--now seems almost mainstream, as if the rest of the pop world has not only caught up with him, but left him in its dust.

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60

Uncut

What Will We Be stands as a fittingly ambiguous, partly frustrating and altogether fascinating response to that question. Call it artful artlessness, or vice versa.

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60

PopMatters

It’s not surprising that What Will We Be sounds, then, like a relaxed, slightly crisper take on the ideas that informed his previous release. This haze of lazy Tropicalia, occasionally interrupted by an indulged moment of proggy vamp, isn’t necessarily a compromise.

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60

Mojo

For every throughly relised composition, there is a meandering fragment, great only as far as it goes. [Nov 2009, p.90]

60

Alternative Press

Tellingly, 'Angelika' and 'Maria Leonza' only get comfortably loose and silly when halfway finished. With a Strokes-y guitar part and a driving backbeat, the innovative '16th & Valencia, Roxy Music' is hopefully what Banhart will be in the future. [Dec 2009, p.108]

50

Dusted Magazine

Aside from the average genre stabs, What Will We Be is a surprisingly sullen and ponderous album. Absent is Banhart’s mania, the zaniness that he always seemed barely able to contain.

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50

musicOMH.com

One can't escape the feeling that, for a writer and performer of Banhart's undoubted talents, this album sees him rather treading water, and failing to match the originality of his persona with correspondingly original or engaging material.

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50

Slant Magazine

Through supplementation and wider instrumentation, he's traded in quiet haunting oddness for drowsy tranquil oddness, an exchange that may at some time pay better dividends than it does here.

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50

Under The Radar

It's easy to lay the rap on Banhart's drifting towards the middle of the road with the fuller, whole-band sound he's embraced, or the bigger labels or the greater notoriety, but the fault clearly lies with Banhart himself, who has become a lot easier to understand. [Fall 2009, p.56]

40

Pitchfork

More focused on offering Banhart's international and oddball bona fides than crafting songs that feel at all like home, What Will We Be finds Banhart in need of direction and editing.

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40

Drowned In Sound

There’s some interest to be found but for the most part he displays a real lack of daring.

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30

Tiny Mix Tapes

What Will We Be is a better, more realized album, but it’s still a dud, filled with mediocre, half-composed songs and tediously unfocused songwriting.

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What Our Users Said

The average user rating for this album is 7.1 (out of 10) based on 7 User Votes

Note: User votes are NOT included in the Metascore calculation.

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