Hancock

49

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Columbia Pictures (Sony) ( minutes)
and Peter Berg
Will Smith , Charlize Theron , Jason Bateman , and Eddie Marsan

Rating: PG-13 for some rude humor, action violence and language

Summary: There are heroes… there are superheroes… and then there’s Hancock. With great power comes great responsibility – everyone knows that – everyone, that is, but Hancock. Edgy, conflicted, sarcastic, and misunderstood, Hancock’s well-intentioned heroics might get the job done and save countless lives, but always seem to leave jaw-dropping damage in their wake. The public has finally had enough – as grateful as they are to have their local hero, the good citizens of Los Angeles are wondering what they ever did to deserve this guy. Hancock isn’t the kind of man who cares what other people think – until the day that he saves the life of PR executive Ray Embrey, and the sardonic superhero begins to realize that he may have a vulnerable side after all. Facing that will be Hancock’s greatest challenge yet – and a task that may prove impossible as Ray’s wife, Mary, insists that he’s a lost cause. (Sony Pictures)

David Denby
The New Yorker:

(90) Hancock suggests new visual directions and emotional tonalities for pop. It's by far the most enjoyable big movie of the summer.

Steven Rea
Philadelphia Inquirer:

(88) A rollicking tale of rehabilitation and redemption, rife with cool special effects, Hancock is smart and surprisingly raunchy.

Tasha Robinson
The Onion (A.V. Club):

(83) It's a daring, even mildly challenging mixture for a superhero film, and while the pieces don't entirely add up, the puzzle is at least original.

Lawrence Toppman
Charlotte Observer:

(75) One of the rare action films that needed to be longer. Then changes in mood wouldn't be so abrupt, and director Peter Berg and writers Vincent Ngo and Vince Gilligan would've had more time to reveal things we want to know.

Peter Travers
Rolling Stone:

(75) Bateman doesn't make a false move, and a stellar Charlize Theron springs her own bolts from the blue as Ray's wife. As for Smith, he's on fire. There's nothing like a star shining on his highest beams. You follow him anywhere.

Roger Ebert
Chicago Sun-Times:

(75) Hancock is a lot of fun, if perhaps a little top-heavy with stuff being destroyed. Smith makes the character more subtle than he has to be, more filled with self-doubt, more willing to learn.


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