Chop Shop

83

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Film Forum (84 minutes)
and Ramin Bahrani
Alejandro Polanco , and Isamar Gonzales

Rating: Not Rated

Summary: Alejandro spends his days in an adult world, running errands and convincing customers to come to his boss's garage instead of a competitor's garage. He's also learning how to paint and repair cars. Although conditions are harsh, his life is sprinkled with moments of happiness as he carves out a life for himself in the wasteland of the Iron Triangle. The brightest of these moments is the arrival of his sister Isamar, who moves in with him in the tiny room that he has found for them perched in the back of the shop where he works. Knowing that creating a better life for the two of them is their best bet at staying together, Alejandro finds her a job in a food van cooking and selling meals to the workers in the Iron Triangle. With a mixture of childlike naiveté and adult ambition, Alejandro begins obsessively saving his money to buy a mobile food van. The two dream about owning and running a small business of their own. But when their dream--as well as their loving relationship--is threatened by the hard truths of life, work, and one another, the children find themselves forced to make the kinds of difficult decisions that most adults never have to face. (Koch Lorber)

Roger Ebert
Chicago Sun-Times:

(100) Now we have an American film with the raw power of “City of God” or “Pixote,” a film that does something unexpected, and inspired, and brave.

Ken Fox
TV Guide:

(100) Bahrani's willingness to expose the shameful reality of third-world conditions in the Land of Plenty while telling a crackling good story marks him as a filmmaker as important as he is accessible.

Steven Rea
Philadelphia Inquirer:

(100) Beautifully observed, and beautifully acted by the novice thespian Polanco (culled from a New York City public school), Chop Shop is at once a heartbreaker and a story of hope and the American Dream.

John Anderson
Washington Post:

(90) The director has created a not-to-miss gem for the discriminating viewer.

Andrew O'Hehir
Salon.com:

(90) Announces the arrival of a director radically out of step with the dominant conventions of American moviemaking, one who blends a social-realist vision and a passion for cinematic poetry.

Jack Mathews
New York Daily News:

(88) Ale's community is like a band of pirates - collegial, bickering, larcenous and supportive - and his life within it is both heartening and heartbreaking.


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